THE REPRESENTATION OF THE FEMALE PROTAGONIST IN JOANNE HARRIS’S NOVEL “GENTLEMEN AND PLAYERS”

Antonina Bulyna

doi:10.23856/3904

Antonina Bulyna Uzhhorod National University http://orcid.org/0000-0003-0425-3999

Keywords: metamodernism, gender imbalance, alienation, mutant woman, trickster, carnivalesque, grotesque

Abstract

The paper zeroes in on the peculiarities of representing the main female character in a British novel “Gentlemen and Players” published in 2005. The crucial point that the research encompasses is a challenge to the status quo of gender imbalance which is portrayed, inter alia, through showing a certain playfulness of the main character. Notably, playfulness must be read here as a form of (social/cultural/political) subversion, which enables one to look beyond and deconstruct “arbitrary ranks/truths”. The carnivalesque nature of the female protagonist is manifested in connection with the changing status of women in contemporary societies. The image of a submissive woman fabricated by men still lingers in many cultures. This gives rise to a mutant woman, mirrored with the help of a subversive fictional female character who is a trickster. It is evinced that the fossilized patterns of perceiving a woman, and attitudes towards her in the male-dominated environment are likely to pose an impending threat, not only to men’s lives but also to the lives of children and other women. Affected by a number of factors, the female protagonist reveals her eclectic identity and we witness how she turns into a monstrous creature with overwhelming destructive power inside. Consequently, the authenticity of the woman suffers and we may talk about her symbolic death.

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