MOTIVES OF THE RENAISSANCE ART IN THE WORKS OF BUKOVINIAN ARTISTS OF THE 20th–21st CENTURIES
Abstrakt
This study examines the works of fine arts of Bukovinian artists, which contain the plot lines, pictorial elements or principles of composition inherent to the works of Renaissance artists. Peculiarities of transformation in painting and graphics of Bukovinian authors of the 20th – beginning of the 21st century of motives and stylistic features of the Renaissance are analyzed. The analysis of the impact of the European visual culture of the 15th–16th centuries allowed tracing the presence of diverse variants and levels of comprehension and application of both the individual elements and the inherent to the aforementioned period the composition-solving principles by numerous authors. The worldview and themes of not only the masters of the Italian Renaissance, but also of the Northern Renaissance, the graphic and painting heritage of artists of the Netherlands and Germany of the end of the 15th-16th centuries, in particular, became the starting point for Chernivtsi artists. In the works one can observe the quoting of certain motives, usage of iconographic schemes, as well as completely different reading of well-known plots, modern interpretation and addition to the latter of new symbols and features of the art of later times.
Wykaz bibliografii
2. Bilderausstellung (1932). [Picture exhibition]. Czernowitzer Morgenblatt, 9. October. [in German]
3. Rotenberg, E. (1989). Iskusstvo Italii 16–17 vekov [Art of Italy 16–17 centuries]. Moskva: Sovetskij hudozhnik. [in Russian]
4. Klevaev, V. (2007). Lekcii po istorii iskusstva [Lectures on the history of art]. Kiev: Fakt. [in Russian]
5. Prokofev, V. N. (1986). Gojya v iskusstve romanticheskoj epohi [Goya in the art of the romantic era]. Moskva: Iskusstvo. [in Russian]
6. Albrich (1932). Herbstsalon Bukowinaer Künstler [Autumn Salon of Bucovina artists]. Czernowitzer Allgemeine Zeitung. 8. October. [in German]
7. Albrich (1935). Der Herbstsalon (Die Ausstellung im Museum) [The autumn salon (the exhibition in the museum)]. Czernowitzer Allgemeine Zeitung. 15. Dezember. [in German]
8. Zalozieckyj, W. (1932). Zwei Bilder-Brüder [Two picture brothers]. Wandlung. H. 1. [in German]
9. Danilova, I. E. (1984). Iskusstvo srednih vekov i Vozrozhdeniya [Art of the Middle Ages and Renaissance]. Moskva: Sovetskij hudozhnik. [in Russian]
10. Dughajeva, T. (2002). Skuljptor, doktor medycyny Opanas Shevchukevych [Sculptor, doctor of medicine Opanas Shevchukevich]. Chernivci: Zelena Bukovyna. [in Ukrainian]
11. Mishchenko, I. (2004). Yevzebii Lipetskyi. Mystets i osobystist [Eusebius of Lipetsky. Artist and personality]. Chernivtsi: Misto. [in Ukrainian]
12. Mishchenko, I. (2011). Rysy ekspresionizmu v dorobku bukovynskykh khudozhnykiv pershoi polovyny ХХ stolittia [Features of expressionism in the works of Bukovinian artists of the first half of the twentieth century]. Studii mystetstvoznavchi, 4. [in Ukrainian]
13. Mishchenko, I. (2008). Secesija v mystectvi Bukovyny [Secession in the art of Bukovina]. Studiji mystectvoznavchi, 1 (21). [in Ukrainian]
14. Sanockaya, K. I. (1970). Ukrainskoe izobrazitelnoe iskusstvo Severnoj Bukoviny konca ХVІІІ – nach. ХХ st. [Ukrainian fine art of Northern Bukovina late XVIII – early XX century]. Kiev: ІMFYe. [in Russian]
15. Kolnik, A. (1936). Sous le chapeau haute forme [Under the high form hat]. Paris: Editions „ARS”. [in French]
16. Jelescu, P. (1926). Armonia Modernă [Modern Harmony]. Junimea literară. № 1–2. [in Romanian]
17. Pohontzu, E. (1925). Cronica artistică. Plastica [Artistic chronicle. Plastic]. Junimea literară. № 5–7. [in Romanian]
18. Vipper, B. R. (1957). Stanovlenie realizma v gollandskoj zhivopisi ХVІІ veka [The emergence of realism in Dutch painting of the 17th century]. Moskva: Iskusstvo. [in Russian]
Abstract views: 231 PDF Downloads: 198