EMOTIVENESS OF POETIC TEXT: A CASE OF CONCEPTUAL MODELLING
Abstract
The paper aims at finding out the conceptual ground of emotiveness of the poetic text. In the current study, emotiveness is regarded as a textual category which reveals itself in the unity of the form (figurative means), content (emotional images of the addresser), and specific functions (intentions of communicating emotional experience of the addresser) of a poem. It has been stated that emotiveness of a poetic text is made of emotives – verbal units that mark emotional images of the author. Since emotional imagery of a poetic text bears diffuse (but by no means haphazard) features, its study becomes possible through the conceptual modelling methods. The application of them to the study of emotives resulted in revealing the presence of emotive trajectory – the emergent formation in the poetic text that organizes its emotional images. In this paper, the emotive trajectory is defined as a conceptual construct which has a specific configuration embracing the alternation of fluctuates and emotive turns. Each fluctuate consists of the starting point, uprising fragment, peak, down-falling fragment and affective zero point. The fluctuates are shaped by force dynamics of the emotional situations which are present in the poetic text.
References
2. Freeman, M.H. (2013). The Influence of Anxiety: Poetry as a Theory of Mind. Kognitsiya, kommunicatsiya, discurs. № 6. URL: https://drive.google.com/file/d/1XETRyGpzDXy2mN2r-JwLTqY-XBNJBp3T0/view.
3. Gadamer, G-G. (2001). Hermenevtyka i poetyka: vybrani tvory. Kyiv. [in Ukrainian].
4. Gladio S.V. (2000). Emotyvnist hudozhnoho textu: semantyko-kognityvnyi aspect (na materyali suchasnoi anglomovnoi prozy): avtoreferat dysertatsii na zdobuttya naukovoho stupenyu kandydata filolohichnyh nauk: 10.02.04. Kyiv. [in Ukrainian]
5. Izard C.E. (1991). The psychology of emotions. New York: Plenum Press.
6. Karasev L.V. (2009). Fleita Hamleta: Ocherk ontologicheskoi poetiki. Moskva: Znak. [in Russian]
7. Lenko G.N. (2014). Urovni analiza tekstovoi emotivnosti (na primere tekstov khudozhestvennogo stilia). Vestnik Leningradskogo gosudarstvennogo universiteta im. A.S. Pushkina, 1(2). [in Russian]
8. Maslova V.A. (2013). Russkaya poeziya: emotsionalny aspect. Chelovek v kommunikatsii: ot kategorizatsii emotsii k emotivnoi lingvistike. Sbornik nauchnikh trudov, posviashchennyi 75-lietiyu professora V.I. Shakhovskogo. Volgograd. [in Russian]
9. Morgan E. (1990). Winter. Scottish poetry library. URL: https://www.scottishpoetrylibrary.org.uk/poem/winter-em/.
10. Nashkhoieva M.R. (2011). Lingvisticheskaya kontseptsiya emotsii i emotivnosti teksta. Vestnik Yuzhno-Uralskogo gosudarstvennogo universiteta. № 1. [in Russian]
11. Neborsina N.P. (2005). Anjambement: pryiom virshuvannya yak hermenevtychna sytuatsiya. Inozemna filologiya: visnyk Kyyivskogo natsionalnogo universytetu imeni Tarasa Shevchenka. [in Ukrainian].
12. Redka I.A. (2020). Merezhi emotyvnykh kodiv poetychnogo tekstu (na materiali virshiv V. Stivensa “The Planet on the Table”). Zakarpatsky filologichni studiyi. Uzhgorod: Helvetyka. [in Ukrainian]
13. Rojas de la Puente, E. E. (2018). THE LAUGHTER, SOCIAL REGULATOR OF EMOTIONAL STATES AND FIXING OF LEARNING. Scientific Journal of Polonia University, 30(5), 114-120. https://doi.org/10.23856/3012.
14. Shakhovsky V.I. (2016). Dissonans ecologichnosti v kommunikativnom kruge: cheloviek, yazyk, emotsii [Dissonance of ecology in communicative circle: man, language and emotions]. Volgograd. [in Russian]
15. Situation. Cambridge online dictionary. URL: https://dictionary.cambridge.org/dictionary/english/situation.
16. Talmy L. (1988). Force Dynamics in Language and Cognition. Cognitive Science. № 12.
17. Vorobyova O.P. (2006). Ideya rezonansu v lingvistychnykh doslidzhennyakh. Mova. Lyudyna, Svit: do 70-richchya profesora M. Kochergana. Zbirnyk naukovykh statey. Kyiv. [in Ukrainian]
Abstract views: 125 PDF Downloads: 89
