THEORETICAL ASPECTS  OF THE LITERARY TEXT ADAPTATION INTO FILM SCRIPT

Tetyana Myronenko; Lesia Dobrovolska

doi:10.23856/5508

Tetyana Myronenko V. O. Sukhomlynskyi National University of Mykolaiv https://orcid.org/0000-0002-0965-0232
Lesia Dobrovolska V. O. Sukhomlynskyi National University of Mykolaiv https://orcid.org/0000-0002-5304-4133

Słowa kluczowe: adaptation, literary text, film text, author’s image, semantic changes, flash back, type of narration, film adaptation, verbal, verbal-visual

Abstrakt

The article offers a comparative analysis of both texts – the literary text of the novel “Everything Is Illuminated” by Jonathan Safran Foer an American novelist, and the film adaptation of the literary text. The article issues the question of the theoretical fundamentals of the literary text adaptation into film script. The problems that arise in the process of literary text transformation into the language of the film text are highlighted. Differential peculiarities of the literary text and its film version are determined. The research proves that the text of the novel “Everything Is Illuminated” has undergone particular semantic changes and the emphasis shifted from verbal to verbal-visual in the film text, nevertheless its communicative function has been preserved.

Wykaz bibliografii

1. Agafonona N.A. (2018) Obshaya teoriya kino i osnovy analiza filma. [General Film Theory and Fundamentals of Film Analysis]. Minsk. Tesei. 392 p. [in Russian]
2. Aleksandrov G.V. (1983) Epoha kino. [Era of Cinema]. Politizdat. pp. 245–248. [in Russian]
3. Domashnev A.I. (1983) Interpretatsiya hudozhestvennogo teksta: nemetskyi yazyk. [Interpretation of the Literary Text: German Language]. Prosveschenie. 1989. P. 1–99. [in Russian]
4. Golden J. (2007) Literature into Film (and Back Again): Another Look at an Old Dog. The English Journal. 97 (1). P. 24–30.
5. Foer J.S. (2002) Evеrything is Illuminated. New York. 2002. 276 p.
6. Klarer M. (2005) An Introduction to Literary Studies. New York. Routledge. 165 p.
7. Kravchenko, N. Zubets. (2015) Hydoznij tekst yak mentalne ytvorennya. [Artistic Text as a Mental Formation]. Scientific Journal Studia Ukrainica Posnaniensa. 3, pp. 145–152. [in Ukrainian]
8. MacKay J. (2017)The Truth about Kino-Pravda; or, Censorship as a Constructive Force. KinoKultura. 55. URL: https://www.academia.edu/30927866/The_Truth_about_Kino_Pravda_
or_Censorship_as_a_Constructive_Force
9. Mast G., Cohen M. (1995) Film Theory and Criticism. Introductory Readings. Oxford University Press. 797 p.
10. Meilakh B.S. (1958) Metaphora kak element hydozhestvennoj systemy. [Metaphor as an Element of the Artistic System]. Voprosy literatury ta estetiki. 8. P. 193–222. [in Russian]

THEORETICAL ASPECTS OF THE LITERARY TEXT ADAPTATION INTO FILM SCRIPT

Abstrakt

Wykaz bibliografii

##plugins.generic.recommendByAuthor.heading##