AESTHETIC ASPECT OF EMOTIVENESS OF POETIC TEXT
Abstract
The study looks for ways of analyzing the aesthetic aspect of emotiveness in a poem. To accomplish the aim, the author undertakes an attempt to study the essence of the image of aesthetic feeling. Since a poetic text appears to be a complex unity of notional, emotive, and aesthetic codes, the methods of cognitive analysis are employed to formalize deep cognitive and emotive constructs that give rise to aesthetic senses within a poetic text. The study relies on the statement that an image of aesthetic feeling has an emergent nature which means that it appears in the process of poetic text writing as a result of a creative impulse of the author (O. Mandelstam). In the study, the image of aesthetic feeling is regarded as an emotive image of the highest level. On the one hand, it is directed at some well-established aesthetic categories, and on the other, it reveals the author’s attitude to them which is manifested through a sophisticated network of images. A step-by-step analysis of Shel Silverstine’s poem “A Light in the Attic” has been suggested to illustrate a possible way of uncovering image(s) of aesthetic feelings inscribed in the text.
References
2. Bolotnova N.S. (2013). O sviazi emotivnogo i esteticheskogo kodov poeticheskogo teksta. Chelovek v kommunikatsii: ot kategorizatsii emotsii k emotivnoi lingvistike. Sbornik nauchnikh trudov, posviashchennyi 75-lietiyu professora V.I. Shakhovskogo. Volgograd. [in Russian]
3. Boriev Yu.B. (1988). Estetika. Moskva: Politizdat. [in Russian]
4. Briedikhin S.N., Davydova L.P. (2016). Poeticheskiy tekst kak kommunikativno-esteticheskaya kategoriya. Gumanitarnyie i yuridicheskiye issledovaniya. № 2. URL: https://cyberleninka.ru/article/n/poeticheskiy-tekst-kak-kommunikativno-esteticheskaya-kategoriya. [in Russian]
5. Byelyekhova L.I. (2002). Slovesnyi poetychnyi obraz v istoryko-typologichniy perspectyvi: lingvokognityvnyi aspect (na materiali amerykanskoyi poeziyi). Kherson: Aylant. [in Ukrainian]
6. Freeman, M.H. (2013). The Influence of Anxiety: Poetry as a Theory of Mind. Kognitsiya, kommunicatsiya, discurs. C 6. URL: https://drive.google.com/file/d/1XETRyGpzDXy2mN2r-JwLTqY-XBNJBp3T0/view.
7. Knaller, S. (2017). Emotions and the Process of Writing. Writing Emotions: Theoretical Concepts and Selected Case Studies in Literature. Bielefeld. URL: www.jstor.org/stable/j.ctv1wxt3t.4.
8. Lakoff, G., Johnson M. (1980). Metaphors We Live By. Chicago: The University of Chicago Press.
9. Lüscher M. (2004). Otsenka lichnosti posredstvom vybora tsveta. Tsvetovoi lichnostnyi test. Minsk: Harvest. [in Russian]
10. Malm M. (2012). The Role of Emotions in the Development of Artistic Theory and in the System of Literary Genres. The Making of the Humanities. Amsterdam University Press.
11. Mandelstam O. (1967). Razgovor o Dante. URL: https://rvb.ru/20vek/mandelstam/slovo_i_kultura/01text/01text/13.htm. [in Russian]
12. Nieborsina N.P. (2016). Poeticheskiy discurs: esteticheskiy aspect tekstualnosti. Problemy semantyky, pragmatyky nf kognityvnoyi lingvistyky. № 29. Kyiv. [in Russian]
13. Nünning V. (2017). The Affective Value of Fiction. Presenting and Evoking Emotions. Transcript Verlag.
14. Redka I.A. (2020). Merezhi emotyvnykh kodiv poetychnogo tekstu (na materiali virshiv V. Stivensa “The Planet on the Table”). Zakarpatsky filologichni studiyi. Uzhgorod: Helvetyka. [in Ukrainian]
15. Shakhovsky V.I. (2016). Dissonans ecologichnosti v kommunikativnom kruge: cheloviek, yazyk, emotsii [Dissonance of ecology in communicative circle: man, language and emotions]. Volgograd. [in Russian]
16. Silverstine Sh. (2010). A Light in the Attic. URL: https://www.poemhunter.com/poem/a-lightin-the-attic/.
17. Tsepkalo, T. (2021). THE MYTHOLOGEM OF THE MOON IN THE POETRY OF THE UKRAINIAN LITERARY PERFORMANCE GROUP BU-BA-BU. Scientific Journal of Polonia University, 40(3), 98-102. https://doi.org/10.23856/4012.
Abstract views: 185 PDF Downloads: 156