LANGUAGE, CULTURE, COMMUNICATION

• V. NESTAIKO’S NOVEL “TOREADORS FROM VASYUKIVKA” AS AN EXAMPLE OF ADVENTURE LITERATURE FOR CHILDREN

  Inna Aponenko, Kateryna Shubkina

  9-18

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• FRAMING FEMININE BEAUTY THROUGH PERSUASIVE METAPHOR IN ADVERTISING MEDIA DISCOURSE

  Olga Beshlei

  19-26

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• THE ROLE OF YOUTH COUNCILS IN FORMING THE LEGAL CULTURE OF STUDENTS

  Mykhailo Bryzhko

  27-33

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• UKRAINIAN MURALS AS AN APPLIED SOCIAL AND COMMUNICATION TECHNOLOGY: A TOOL FOR DECOLONIZATION AND GEOBRANDING

  Kristina But, Viktoriia Kovpak, Nataliia Lebid

  34-47

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• FACHTERMINOLOGIE IM DEUTSCHSPRACHIGEN PHILOSOPHISCHEN DISKURS

  Svitlana Kiyko

  48-54

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• A LEVEL-BASED APPROACH TO INTERCULTURAL COMMUNICATION FOR DEVELOPING PRE-SERVICE PRIMARY TEACHERS' LEARNING AND STRATEGIC COMPETENCE

  Olena Konotop

  55-65

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• VERBAL REPRESENTATION OF A CHARACTER`S INTERNAL CONFLICT IN FICTION AND TRANSLATION: B. ANTONENKO-DAVYDOVYCH`S SMERT' AND ITS ENGLISH VERSION BY YU. TKACH

  Zoriana Kotsiuba

  66-74

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• SELBSTREFERENZIALITÄT MITTELS SCHÖPFERISCHEN VERFAHRENS ALS QUELLE KOGNITIVER RESILIENZ: LINGUISTISCHE HERMENEUTIK

  Liudmyla Kotvytska

  75-79

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• EXISTENTIAL MODES IN TETIANA OSIN’S TAVRIAN SONNETS

  Lada Lichman

  80-90

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• ARTIFICIAL INTELLIGENCE IN PHYSICS EDUCATION: CHALLENGES AND PERSPECTIVES ON THE PATH TO PERSONALIZED LEARNING

  Serhii Maksymchuk

  91-98

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• THE DEPICTION OF DOMESTIC VIOLENCE IN HOLLY RINGLAND’S NOVEL THE LOST FLOWERS OF ALICE HART AND ITS CINEMATIC ADAPTATION

  Iryna Malyshivska, Khrystyna Pashchak

  99-106

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